Showing posts with label Watts... The Difference. Show all posts
Showing posts with label Watts... The Difference. Show all posts

Wednesday, June 9, 2021

Ed Wood Wednesdays: The Wood Paperback Odyssey, Part 7 by Greg Dziawer

If you're cramming for your Ed Wood finals this week, you're in luck!

Earlier this year, in an episode of The Ed Wood Summit Podcast, Joe Blevins and I reviewed Ed Wood's 1967 adult paperback Watts... The Difference. For those who may not have access to a copy of the book, here are my extensive notes. These aren't meant to be editorial; I simply noted whatever jumped out at me. In conjunction with our podcast commentary, this should give you the flavor of the book.

CONTENT WARNING: The offensive words and slurs are Ed's, as are all of the flashbacks, reveries and dreams that overwhelm the narrative.

Wednesday, April 14, 2021

Ed Wood Wednesdays: The Ed Wood Summit Podcast #6 by Greg Dziawer and Joe Blevins

Apparently, the public was demanding a sequel to Watts... The Difference. And Ed Wood gave 'em one!

Edward D. Wood, Jr. rarely had the opportunity to produce official follow-ups to his films, books, and stories, but we do have a few memorable sequels in the Wood canon. His kinky 1963 novel Killer in Drag, for instance, eventually spawned Death of a Transvestite (aka Let Me Die in Drag) in 1967. Wood's long-unreleased movie Night of the Ghouls (1959) works as a companion piece to his earlier epic Bride of the Monster (1955). Eddie must have also been fond of his short story "Captain Fellatio Hornblower" from 1971, since he brought the title character back for a second adventure two years later.

This week, we're examining another of Eddie's literary sequels: Watts... After (1967). This remarkable novel furthers the story of Rocky Alley, a Black actor who works his way up from poverty to stardom in Los Angeles in the turbulent 1960s. We first met Rocky in Watts... The Difference (1966), a book that attempted to capitalize on the racially-motivated Watts uprising. By the time of Watts... After, Rocky is now a famous TV Western star and is getting serious about his relationship with his white, angora-loving girlfriend, Angie. But some shady characters from Rocky's past resurface and threaten to destroy it all.

The front and back covers of the novel.

Teeming with political and social commentary, Watts... After is one of Ed's more orthodox narratives as well as one of his more atypically positive works. We hope you will enjoy this thorough and wide-ranging breakdown of the novel. As you'll soon see, our conversation branches off in a number of directions. Yes, spoilers abound.


Although this book is over half a century old, Watts... After remains surprisingly relevant today. In addition to the topics mentioned in this video, the characters Rocky and Angie face similar issues as Prince Harry and Meghan Markle as they prepare to bring an interracial child into the world. All the more reason to explore this somewhat overlooked Ed Wood creation.

NOTE: All previous installments of The Ed Wood Summit Podcast can be found here.

Wednesday, February 3, 2021

Ed Wood Wednesdays: The Wood Summit Podcast #3 by Greg Dziawer and Joe Blevins

Are you ready for socially conscious Ed Wood?

For this week's Ed Wood Summit Podcast, I sat down with blogger Joe Blevins to discuss Watts... The Difference, the first of Eddie's two Watts paperbacks, both originally published by Pad Library in 1967. (Watts... The Difference was also reprinted in 1969 by Selected Adult Library as Burn Baby Burn and credited to the nonexistent Ray Jones.) While Ed wrote many erotic novels during this time, the Watts books stand out because of their connection to historic events.

Following the adventures of an African-American actor named Rocky Alley and told largely in flashbacks, Watts...The Difference is set in South Central Los Angeles during the Watts Uprising of August 1965. For nearly a week, the Watts neighborhood was the site of intense civil unrest, with the destruction eventually spreading across 46 square miles of L.A. At the time, newscasters compared the area to a warzone. While the violence in Watts was rooted in longstanding racial inequality, it was a traffic stop that set it all ablaze.

Apparently, Ed Wood's imagination was also set ablaze by these events. Curious what Ed will make of this incendiary backdrop? Watch the review to find out!


The original cover art.
And just to give you a little flavor for this astonishing book, here's a selection of memorable quotes from Watts... The Difference:
  • "I carry an angora sweater with me all the time."
  • "Lover...I believe you're an advocate of the bottomless bathing suit also..."
  • "One day you're standing around on a street corner looking at everybody, then the next there is only the big black."
  • "You might be causing them a time of it in their jeans..."
  • "...money IS control!"
  • "Good Christ, man, I knowed it was you all the time."
  • "The girl was a petite little negro with long raven black hair which fell lavishly down the back of her yellow mohair slipover sweater."
  • "Her little butt rode the yellow stretch capris like jello in a perfect mold."
  • "Rape me Rocky...Hurt me Rocky...Rape Me...Rape...me...Rape me..."
  • "He was never in male attire if he could help it and absolutely never without panties..."
  • "...loot - burn - kill - burn Whitey to his knees..."


ADDENDUM: To provide further insight into this era, I have uploaded this 1967 sermon by pastor and politician Adam Clayton Powell entitled "Burn, Baby, Burn." Powell talks about the Watts rioters and explains why he sympathizes with their plight but does not endorse their actions. - J.B.