Thursday, March 12, 2020

Why was Beast Man demoted from lead villain to sidekick? I have a theory.

Beast Man was almost the main villain in the Masters of the Universe franchise.

Beast Man was among the earliest MOTU figures.
Now poised to make a comeback on Netflix, Masters of the Universe (or MOTU) was one of the dominant multimedia franchises of the 1980s, with a successful toy line from Mattel and a hit syndicated cartoon series from Filmation. And the character of Beast Man—a bright orange, gorilla-like villain with dominion over the animal kingdom—has been a key part of the franchise since the very beginning. Beast Man was among the first four Mattel figures released in 1982, and he was a major character in the 1983 TV series, where he was voiced by John Erwin. As portrayed by Tony Carroll, he also turned up in the live-action 1987 movie from Cannon.

In all these forms, Beast Man has consistently been portrayed as the right-hand man of the franchise's main villain, the demonic sorcerer Skeletor, as the latter fights the heroic warrior He-Man for control of the far-away planet Eternia. Prominent as Beast Man is, he's always been a mere sidekick, deemed a "savage henchman" on Mattel's toy packaging. One early '80s document from Mattel describes Beast Man as the "number one stooge for Skeletor." That word "stooge" gives you some indication of the character's IQ.

But another internal document from Mattel shows that Beast Man was originally intended as MOTU's main antagonist. A wonderful MOTU site called Battle Ram: A He-Man Blog recently shared a fascinating early MOTU story treatment called "The Fighting Foe-Men" written by sci-fi/fantasy author Don Glut. Here is how Beast Man is described in that document:
Each of the villains is out for his own gain, usually to obtain the Power Gem for himself, but they occasionally accept one of them as their leader — Beast-Man 
BEAST-MAN — Another native of Eternia’s jungles whose tribe — or pack — has seemingly always been at war with their natural enemies, the human tribe of He-Man. Beast-Man has formidable strength, but it is his ferocity that makes him a natural leader. He has the agility of a gorilla. But when he dons his various costumes, he takes on the powers of other animals — the speed of a gazelle, the charging force of a rhino, etc. Beast-Man, though he despises He-Man’s tribe, yearns to take one or more of its females as a bride. He is totally evil and corrupt. His only redeeming quality is the “love” he bears for his own race, though it is actually more like instinct than any real emotion. His voice is guttural, almost a growl.
When I saw this passage, I was taken aback because it seemingly confirmed some suspicions I'd had while revisiting the Filmation Masters of the Universe TV series from the '80s. Namely, I began to wonder if Beast Man were being subtly (or not so subtly) coded as African, to serve as the opposite of the blond, Nordic-looking hero, He-Man. And "The Fighting Foe-Men" demonstrates that this was not merely my imagination. Note the terminology Don Glut uses in his description of Beast Man: "native," "jungle," "tribe," "race," etc. These can be neutral terms, but they are also the building blocks of hateful racist stereotypes. Note, too, that Beast Man is denied humanity and is likened to a gorilla. In particular, he is held apart from "the human tribe of He-Man."

Glut's story outline acknowledges Beast Man's athletic ability and brute strength but not his intellect. More alarming, though, is the detail that the villain "yearns to take one or more [human] females as a bride." Is this a reference to the stereotype about African men lusting after white women? Maybe the most disturbing sentence in this entire description is: "His only redeeming quality is the 'love' he bears for his own race, though it is actually more like instinct than any real emotion." Glut feels obligated to put quote marks around the word "love" and again makes it clear that Beast Man acts on mere "instinct." The message here is clear: Beast Man is not like us. He is apart from us, less than us. He is a thing to be hated and feared.

Here is my theory. Someone at Mattel recognized that the company could not possibly build its flagship toy line around a blond-haired white man battling a gorilla-like jungle denizen. The ugly implications of this match-up would be impossible to miss, and the company would be accused of spreading racist propaganda to children. Beast Man, therefore, was demoted to a subservient role. Is this, in a way, actually worse? This way, Skeletor and Beast-Man have a master/slave relationship, with Skeletor sitting in a throne, giving commands to his underlings like the interlocutor in a minstrel show. And still, on the other side of Eternia, you have a hero who looks like the poster child for the master race.

Perhaps, when I was playing with my Masters of the Universe action figures in the early-to-mid-1980s, I was also unknowingly getting a lesson in racial politics. And I haven't even started talking about Jitsu yet.