Wednesday, April 12, 2023

Ed Wood Wednesdays, week 148: The infamous lost Wesson commercial (1954)

Ed Wood (center, wearing pith helmet) shills for Wesson Oil in 1954.

There are a lot of lost treasures in the Ed Wood canon—various films and writings that have gone missing over the decades. But which is the ultimate holy grail, the one piece of "Ed Wood lost media" I'd most like to rediscover? Is it Ed's early 1960s training films for Autonetics? His manuscript for the biography Lugosi: Post Mortem? Any of those made-for-TV productions he put on his resume, with titles like The Little Old Lady from Pasadena? That record of "The Day the Mummy Returned" he made with Tor Johnson?

All tempting choices, to be sure, but I'd like to suggest another, less obvious candidate: his lost 1954 commercial for Wesson Oil. Why this one? Well, unlike many of the projects Ed Wood claims to have worked on, the Wesson ad was all but certainly real. While Eddie was staggeringly prolific, both as a filmmaker and a writer, his inflated resume is dotted with projects that only ever existed in Ed's alcohol-soaked imagination. The 1954 cooking oil ad, however,  is fairly well-documented. 

Let's take a close look at an excerpt from Rudolph Grey's Nightmare of Ecstasy: The Life and Art of Edward D. Wood, Jr. (1992). On page 125, as a part of a chapter called "Idea Man," Grey includes an anecdote from Ed Wood's widow, Kathy, and a photograph supplied by actor Don Nagel.

An excerpt from Nightmare of Ecstasy related to the Wesson ad.

Okay, plenty to talk about here. First, Kathy says that Ed had a reel of his TV commercials that subsequently "disappeared." We already know that, starting in 1949, Ed Wood started making TV commercials as part of some half-baked business plan. He'd make low-budget, generic commercials before actually being hired by any companies, then sell those commercials to advertisers. Instead of making an ad for a specific used car dealer, for instance, Eddie made an ad for used cars in general—like the basic idea of buying preowned vehicles. Unsurprisingly, this didn't work.

The Wesson commercial hasn't turned up yet, but at least four of Eddie's commercials can still be viewed today. And, blessedly, they're like mini-Ed Wood movies, each with its own plot and characters. Eddie himself plays a leading role in one of them ("Magic Man"). 

I imagine the lost Wesson spot is in a similar vein, especially given Kathy's description. Notice, however, that between 1949 and 1954, Ed changed his strategy a little when it came to advertising. Instead of generic commercials for no specific sponsor, Eddie was now tailoring his commercials to specific companies. I am certain that Ed's Wesson spot was made on spec and not commissioned or sanctioned by Wesson in any way. Why? Well, here's what an actual Wesson commercial from the 1950s looks like:



As you can see, it's nothing like what Ed Wood was trying to do with his Wesson ad. But Kathy's synopsis of the commercial raises a few more questions. She mentions two explorers, one who's "too old" and one who's "too tough." But take a look at the photo supplied by Don Nagel. There are indeed two explorers tied up by natives, but neither one looks particularly old or tough. In fact, one is a lovely woman played by Superman actress Phyllis Coates, who had previously worked with Eddie on The Sun was Setting (1951). And yet, Kathy's description of the dialogue in the Wesson commercial is too specific to have been totally imagined.

I guess the only way we're going to solve this mystery is to track down a copy of that Wesson commercial and view it for ourselves. Hey, Ed Wood rarities keep showing up. Why not this one? Let's search those vaults, America!