Showing posts with label Hairspray. Show all posts
Showing posts with label Hairspray. Show all posts

Friday, May 26, 2017

Hit Parade Of Hell: The Liner Notes Of John Waters

Your Music Appreciation 101 professor, John Waters.

A stack of John Waters soundtracks on CD.
This will seem impossibly quaint to you youngsters, but music used to be bought and sold as a tangible, physical commodity. In other words, it was a thing you had to go get. In actual, brick and mortar stores, no less! First came the wax cylinder, then the vinyl record, followed by the 8-track, the cassette, and finally, the compact disc. Nowadays, music is all just ones and zeroes to be uploaded and downloaded in the twinkling of an eye over the internet.

For the most part, this change has been a good thing. More music is available to more people more quickly than ever before. But we have lost a few things along the way as we've abandoned physical media. Liner notes, for instance. Remember those? Yes, albums used to come complete with little explanatory essays that told you something about the music contained within. To me, the king of liner notes was cult movie director John Waters. He took obvious delight in penning the notes that accompanied the soundtrack albums for his movies, explaining exactly what these songs meant to him and even giving his listeners instructions on how to listen to the albums for maximum effect.

Much of Waters' writing has been collected and anthologized in book form elsewhere. But, to my knowledge, his soundtrack album liner notes have never reappeared anywhere. So before they vanish from memory completely, I thought I'd showcase them here. I had to scour through my musty, dusty underground storage locker to retrieve these little items, which I present in roughly chronological order. Notice that Waters' texts become more elaborate over time, from a humble paragraph for Hairspray in 1988 to a 450-word essay for A Dirty Shame in 2004.

This collection is not complete. I have yet to transcribe the notes for two compilation albums curated by Waters: A John Waters Christmas (2004) and A Date With John Waters (2007). Perhaps if the reaction to this article is positive, I will dig those up, too. (Update: I have.) In the interest of historical accuracy, I have tried to present these notes exactly as they originally appeared, with all spelling, punctuation, and grammar intact.

Enjoy.